ary interest is concerned, “the real Trojan war,” as Mr Grote well says, “is that which is recounted by Homer.” It will be sufficient here to take the poet as our main authority, and to fill up his picture from other legendary sources; for though Homer’s version of the Great Trojan War is the earliest account which has come down to us, he drew his material from still earlier lays and legends, with which he assumes all his readers (or hearers) to be tolerably familiar; and which, again, the later poets and tragedians reproduced with many additions and variations of their own.
The preservation of poems of such great length (the Iliad alone contains between fifteen and sixteen thousand lines) in days when writing, even if invented, was in its infancy, has been the subject of much speculation. That they were publicly recited at great national festivals in all parts of Greece, is undoubted. Professional minstrels, or “rhapsodists,” as they were called, chanted certain selected portions which suited their own taste or that of their audience—often such as contained the exploits of some national hero. They followed possibly in this the example of the great bard himself; just as certain of our own popular writers have lately taken to read, to an admiring public, some favourite scenes and chapters from their own works. Lycurgus is said to have brought the collected poems from Asia to Sparta; Solon, at Athens, to have first obliged the minstrels to recite the several portions in due order, so as to preserve the continuity of the narrative. Pisistratus, the great Athenian ruler, has the reputation of having first reduced the whole into a collected shape, and of having thus far settled the “text” of Homer, employing in this work the most eminent
