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THE "SECOND LINES"
 

Over two hundred thousand of the latter were issued at cost. This division also conceived the idea of the "permit system," that opened up our military and naval activities to civilian camera men, and operated it successfully. It handled, also, the voluntary censorship of still and motion pictures in order that there might be no disclosure of information valuable to the enemy. The number of pictures reviewed averaged seven hundred a day.

Turning away from the United States to the world beyond our borders, a triple task confronted us. First, there were the peoples of the Allied nations that had to be fired by the magnitude of the American effort and the certainty of speedy and effective aid, in order to relieve the war-weariness of the civilian population and also to fan the enthusiasm of the firing-line to new flame. Second, we had to carry the truth to the neutral nations, poisoned by German lies; and third, we had to get the ideals of America, the determination of America, and the invincibility of America into the Central Powers.

Unlike other countries, the United States had no subsidized press service with which to meet the emergency. As a matter of bitter fact, we had few direct news contacts of our own with the outside world, owing to a scheme of contracts that turned the foreign distribution of American news over to European agencies. The volume of information that went out from our shores was small, and, what was worse, it was concerned only with the violent and unusual in our national life. It was news of strikes and lynchings, riots, murder cases, graft prosecutions, sensational divorces, the bizarre extravagance of "sudden millionaires." Naturally enough, we were looked upon as a race of dollar-mad materialists, a land of cruel monopolists, our real rulers the corporations and our democracy a "fake."

Looking about for some way in which to remedy this

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