Ideas of Good and Evil.
poet or painter or musician could be other than an enchanter calling with a persuasive or compelling ritual, creatures, noble or ignoble, divine or dæmonic, covered with scales or in shining raiment, that he never imagined, out of the bottomless deeps of imaginations he never foresaw; as if the noblest achievement of art was not when the artist enfolds himself in darkness, while he casts over his readers a light as of a wild and terrible dawn.
Let us therefore put away the designs to The Divine Comedy, in which there is 'an ordinary intelligence,' and consider only the designs in which the magical ritual has called up extraordinary shapes, the magical light glimmered upon a world, different from the Dantesque world of our own intelligence in its ordinary and daily moods, upon a difficult and distinguished world. Most of the series of designs to Dante, and there are a good number, need not busy any one for a moment. Genelli has done a copious series, which is very able
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