as much energy as in rebellion; but among the less capable, one must admit that the superior energy is on the side of the rebels. And certainly a man who dares to say that he finds an eminent classic feeble here, extravagant there, and in general overrated, may chance to give an opinion which has some genuine discrimination in it concerning a new work or a living thinker—an opinion such as can hardly ever be got from the reputed judge who is a correct echo of the most approved phrases concerning those who have been already canonized.
Story Telling.
What is the best way of telling a story? Since the standard must be the interest of the audience, there must be several or many good ways rather than one best. For we get interested in the stories life presents to us through divers orders and modes of presentation. Very commonly our first awakening to a desire of knowing a man's past or future comes from our seeing him as a stranger in some unusual or pathetic or humorous situation, or manifesting some remarkable characteristics. We make inquiries in consequence, or we become observant and attentive whenever opportunities of knowing more may happen to present themselves without our search. You have seen a refined face among the prisoners picking tow in jail; you afterward see the same unforgetable face in a pulpit: he must be of dull fibre who would not care to know more about a life which showed such contrasts, though he might gather his knowledge in a fragmentary and unchronological way.
Again, we have heard much, or at least something not quite common, about a man whom we have never seen, and hence we look round with curiosity when we are told that he is present; whatever he says or does before us is charged with a meaning due to our previous hearsay knowledge about him, gathered either from dialogue of which he was expressly and emphatically the subject, or from incidental remark, or from general report either in or out of print.
These indirect ways of arriving at knowledge are always the most stirring even in relation to impersonal subjects. To see
