a chemical experiment gives an attractiveness to a definition of chemistry, and fills it with a significance which it would never have had without the pleasant shock of an unusual sequence such as the transformation of a solid into gas, and vice versâ. To see a word for the first time either as substantive or adjective in a connection where we care about knowing its complete meaning, is the way to vivify its meaning in our recollection. Curiosity becomes the more eager from the incompleteness of the first information. Moreover, it is in this way that memory works in its incidental revival of events: some salient experience appears in inward vision, and in consequence the antecedent facts are retraced from what is regarded as the beginning of the episode in which that experience made a more or less strikingly memorable part. "Ah! I remember addressing the mob from the hustings at Westminster—you wouldn't have thought that I could ever have been in such a position. Well, how I came there was in this way——"; and then follows a retrospective narration.
The modes of telling a story founded on these processes of outward and inward life derive their effectiveness from the superior mastery of images and pictures in grasping the attention—or, one might say with more fundamental accuracy, from the fact that our earliest, strongest impressions, our most intimate convictions, are simply images added to more or less of sensation. These are the primitive instruments of thought. Hence it is not surprising that early poetry took this way—telling a daring deed, a glorious achievement, without caring for what went before. The desire for orderly narration is a later, more reflective birth. The presence of the Jack in the box affects every child: it is the more reflective lad, the miniature philosopher, who wants to know how he got there.
The only stories life presents to us in an orderly way are those of our autobiography, or the career of our companions from our childhood upward, or perhaps of our own children. But it is a great art to make a connected strictly relevant narative of such careers as we can recount from the beginning. In these cases the sequence of associations is almost sure to overmaster the sense of proportion. Such narratives ab ovo are summer's-day stories for happy loungers; not the cup of self-
