forgetting excitement to the busy who can snatch an hour of entertainment.
But the simple opening of a story with a date and necessary account of places and people, passing on quietly toward the more rousing elements of narrative and dramatic presentation, without need of retrospect, has its advantages which have to be measured by the nature of the story. Spirited narrative, without more than a touch of dialogue here and there, may be made eminently interesting, and is suited to the novelette. Examples of its charm are seen in the short tales in which the French have a mastery never reached by the English, who usually demand coarser flavors than are given by that delightful gayety which is well described by La Fontaine[1] as not anything that provokes fits of laughter, but a certain charm, an agreeable mode of handling which lends attractiveness to all subjects even the most serious. And it is this sort of gayety which plays around the best French novelettes. But the opening chapters of the "Vicar of Wakefield" are as fine as anything that can be done in this way.
Why should a story not be told in the most irregular fashion that an author's idiosyncrasy may prompt, provided that he gives us what we can enjoy? The objections to Sterne's wild way of telling "Tristram Shandy" lie more solidly in the quality of the interrupting matter than in the fact of interruption. The dear public would do well to reflect that they are often bored from the want of flexibility in their own minds. They are like the topers of "one liquor."
Historic Imagination.
The exercise of a veracious imagination in historical picturing seems to be capable of a development that might help the judgment greatly with regard to present and future events. By veracious imagination, I mean the working out in detail of the various steps by which political or a social change was reached, using all extant evidence and supplying deficiencies by careful ana-
- ↑ "Je n'appelle pas gayeté ce qui excite le rire, mais un certain charme, un air agréable qu'on peut donner à toutes sortes de sujets, mesme les plus sérieux."—Preface to Fables.
