the imagination in true comparison. I want something different from the abstract treatment which belongs to grave history from a doctrinal point of view, and something different from the schemed picturesqueness of ordinary historical fiction. I want brief, severely conscientious reproductions, in their concrete incidents, of pregnant movements in the past.
Value in Originality.
The supremacy given in European cultures to the literatures of Greece and Rome has had an effect almost equal to that of a common religion in binding the Western nations together. It is foolish to be forever complaining of the consequent uniformity, as if there were an endless power of originality in the human mind. Great and precious origination must always be comparatively rare, and can only exist on condition of a wide massive uniformity. When a multitude of men have learned to use the same language in speech and writing, then and then only can the greatest masters of language arise. For in what does their mastery consist? They use words which are already a familiar medium of understanding and sympathy in such a way as greatly to enlarge the understanding and sympathy. Originality of this order changes the wild grasses into world-feeding grain. Idiosyncrasies are pepper and spices of questionable aroma.
To the Prosaic all things are Prosaic.
"Is the time we live in prosaic?"—"That depends: it must certainly be prosaic to one whose mind takes a prosaic stand in contemplating it."—"But it is precisely the most poetic minds that most groan over the vul-garity of the present, its degenerate sensibility to beauty, eagerness for materialistic explanation, noisy triviality."—"Perhaps they would have had the same complaint to make about the age of Elizabeth, if, living then, they had fixed their attention on its more sordid elements, or had been subject to the grating influence of its every-day meannesses, and had sought refuge from them in
