Page:Indian Shipping, a history of the sea-borne trade and maritime activity of the Indians from the earliest times.djvu/70

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INDIAN SHIPPING

floating on it whose prow is formed by a winged gryphon and stern by a fish's tail. The barge contains a pavilion overshadowing a vacant throne, over which a male attendant holds a chatta, while another man has a chaori; a third man is steering or propelling the vessel with a large paddle. In the water are fresh-water flowers and buds and a large shell; and there are five men floating about, holding on by spars and inflated skins, while a sixth appears to be asking the occupant of the stern of the vessel for help out of the water."[1] This sculpture appears simply to represent the royal state barge, which quite anticipates its modern successors used by Indian nobles at the present day, and the scene is that of the king and some of his courtiers disporting themselves in an artificial piece of water; but it is also capable of a symbolical meaning, especially when we consider that the shape of the barge here shown is that of the sacred Makara, the fish avatara or Jataka of the Buddhist, just as the Hindu scriptures make the Matsya, or fish, the first of the avatars of Vishnu, whose latest incarnation was Buddha. According to Lieutenant Massey, however, this sculpture represents the conveyance of relics from India to Ceylon which is intercepted by Nagas.[2]

In passing it may be noted that the grotesque

  1. Sanchi and its Remains, p. 59.
  2. Mrs. Spier's Life in Ancient India, p. 320.

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