Pit" of the Abbey Theatre is the envy of all the theatrical managers of Dublin. It is a pit of people young in years or young in heart and mind, who are interested in intellectual things, a group of people largely self-taught, or taught by the Celtic Renaissance, to appreciate fine things. With these has come that element of the intellectuals among the Trinity College set that is interested above all things in Ireland, but this element is not large.
This play and that have attracted, either for purposes of approval or for purposes of disapproval, groups of people outside of the faithful pit that is interested in every sincere portrayal of Irish life. Such a group, from the patriotic societies, prevented the rest of the house from hearing "The Playboy of the Western World," after its first performance on January 26, 1907, for four performances more; and such a group similarly protested against "The Piper," a little more than a year later, because it seemed to the members of the group to be an unpatriotic revelation of the lack of cohesion among Irish political and patriotic factions.
Despite opposition, however, and with new dramatists one by one gaining a place in the repertoire of the company, Mr. Boyle in 1905 and Mr. Robinson in 1908, Mr. Murray in 1910 and Mr. Ervine in 1911, more and more people continued to become interested in the new drama, and by the time Miss Horniman's support, promised in 1904 for six years, was withdrawn at the expiration of that period, the Abbey Theatre was apparently a fixture in the artistic life of Ireland.
It has been the custom, of recent years, for the Abbey
