Page:Irish plays and playwrights (IA irishplaysplaywr00weygrich).pdf/52

This page has been proofread, but needs to be validated.
34
IRISH PLAYS AND PLAYWRIGHTS

Theatre to begin its Dublin season In October and to continue it on until May, when the company goes to London for a month. In the earlier years, before the company had a home at the Abbey, and even for a year or two after that, performances were not so continuous. Nor are they now given every week or always on every night of a week, the theatre being turned over to the Theatre of Ireland or some other dramatic organization occasionally, and being let, now and then, for lectures or concerts or the like. The London season in May is followed, or preceded sometimes, by visits to other English cities, Manchester and Leeds, Oxford and Cambridge among them; and at home in Ireland, in the intervals between weeks at the Abbey, the company goes to Cork or Belfast for a few performances.

In this country the audiences that attended the performances of the plays of the Abbey Theatre Players were of a very different composition. At their average they included a certain proportion of the younger intellectuals among the Irish-Americans, but very many of these were kept away from the performances, as many, indeed, in Ireland and in England, too, are kept away from the performances, by the opposition in the patriotic societies. In America, as in London and in Manchester, and in the English university towns, it has been largely from among those who are seriously interested in a literary drama that the audiences have been drawn. It was such people as do not habitually go to the theatre, but that are to be found at revivals of old English comedy and Ibsen plays and symphony concerts, that made up the audiences