answer her letters." Now the royal band marching by with the national flag stirred wider rings of emotion, and life became something that the courageous mount and ride out to sea on—the hair blown back (so she envisaged it, and the breeze stirred slightly among the orange trees) and she herself was emerging from silver spray—when she saw Jacob. He was standing in the Square with a book under his arm looking vacantly about him. That he was heavily built and might become stout in time was a fact.
But she suspected him of being a mere bumpkin.
"There is that young man," she said, peevishly, throwing away her cigarette, "that Mr. Flanders."
"Where?" said Evan. "I don't see him."
"Oh, walking away—behind the trees now. No, you can't see him. But we are sure to run into him," which, of course, they did.
But how far was he a mere bumpkin? How far was Jacob Flanders at the age of twenty-six a stupid fellow? It is no use trying to sum people up. One must follow hints, not exactly what is said, nor yet entirely what is done. Some, it is true, take ineffaceable impressions of character at once. Others dally, loiter, and get blown this way and that. Kind old ladies assure us that cats are often the best judges of character. A cat will always go to a good man, they say; but then, Mrs. Whitehorn, Jacob's landlady, loathed cats.
There is also the highly respectable opinion that character-mongering is much overdone nowadays. After all, what does it matter—that Fanny Elmer was all sentiment and sensation, and Mrs. Durrant hard as iron? that Clara, owing (so the character-mongers said) largely to her mother's influence, never yet had the chance to do anything off her own bat, and only to very observant eyes displayed deeps of feeling which were positively alarming; and would certainly throw herself away upon some one unworthy of her one of these days unless, so the character-mongers said, she had a
