spark of her mother's spirit in her—was somehow heroic. But what a term to apply to Clara Durrant! Simple to a degree, others thought her. And that is the very reason, so they said, why she attracts Dick Bonamy—the young man with the Wellington nose. Now he's a dark horse if you like. And there these gossips would suddenly pause. Obviously they meant to hint at his peculiar disposition—long rumoured among them.
"But sometimes it is precisely a woman like Clara that men of that temperament need . . ." Miss Julia Eliot would hint.
"Well," Mr. Bowley would reply, "it may be so."
For however long these gossips sit, and however they stuff out their victims' characters till they are swollen and tender as the livers of geese exposed to a hot fire, they never come to a decision.
"That young man, Jacob Flanders," they would say, "so distinguished looking—and yet so awkward." Then they would apply themselves to Jacob and vacillate eternally between the two extremes. He rode to hounds—after a fashion, for he hadn't a penny.
"Did you ever hear who his father was?" asked Julia Eliot.
"His mother, they say, is somehow connected with the Rocksbiers," replied Mr. Bowley.
"He doesn't overwork himself anyhow."
"His friends are very fond of him."
"Dick Bonamy, you mean?"
"No, I didn't mean that. It's evidently the other way with Jacob. He is precisely the young man to fall headlong in love and repent it for the rest of his life."
"Oh, Mr. Bowley," said Mrs. Durrant, sweeping down upon them in her imperious manner, "you remember Mrs. Adams? Well, that is her niece." And Mr. Bowley, getting up, bowed politely and fetched strawberries.
So we are driven back to see what the other side means—the men in clubs and Cabinets—when they say that character-
