unwritten law reigns supreme over the municipal law. Modern sentiments such as these could not be sustained in the presence of indifference to religion, uncertainty as to another world, impatience of the past, and familiarity with Hellenistic thought. As the Church declined the ancient State appeared, a State which knew no Church, and was the greatest force on earth, bound by no code, a law to itself. As there is no such thing as right, politics are an affair of might, a mere struggle for power. Such was the doctrine which Venice practised, in the interest of a glorious and beneficent government, and which two illustrious writers, Machiavelli and Guicciardini, made the law of modern societies.
The one thing common to the whole Italian Renaissance was the worship of beauty. It was the æsthetic against the ascetic. In this exclusive study, that is, in art, the Italians speedily attained the highest perfection that has been reached by man. And it was reached almost simultaneously in many parts of Italy, Rome, Florence, Milan, and Venice. First, it was the triumph of classical over medieval models, and the suppression of Gothic. Then it was the outbreak of modern painting, beyond all models, medieval or ancient, in a generation of men remarkable for originality. Rome, which had adopted the new learning under the impulse of Nicholas V., went over also to the new art and became its metropolis. It was the ripest and most brilliant work of the time, and it was employed to give expression to religious ideas, and to decorate and exalt the dignity of the Papacy, with its headquarters at the Vatican. The man who conceived how much might be done by renascent art to give splendour to the Church at the moment when its terrestrial limits were immeasurably extended, and its political power newly established, was Julius II. In 1505 Emmanuel of Portugal, inspired by the prodigies of that epoch of discovery, and by the language of recent canonists, addressed him in these terms: "Receive, at last, the entire globe, thou who art our god."
