Julius, who, by the energy of his will and his passion for posthumous fame, was the true son of the Renaissance, asked Michael Angelo to construct a monument worthy of a pontiff who should surpass all his predecessors in glory. When the design proved too gigantic for any existing Church, he commanded Bramante to pull down the Basilica of Constantine, which for a thousand years had witnessed the dramatic scenes of ecclesiastical history, the coronation of Charlemagne, the enthronement of the dead Formosus, the arrest of Paschal, and to erect in its place a new and glorified St. Peter's, far exceeding all the churches of the universe in its dimensions, in beauty, in power over the imagination of men. The ruthless destruction indicates the tone of the new era. Old St. Peter's was not only a monument of history, but a sepulchre of saints.
Julius was not inspired by the Middle Ages. Under him the Papacy was preparing for a new career, less spiritual than what once had been, more politic and secular and splendid, under new stars. He had Bramante, Michael Angelo, Rafael, San Gallo, Peruzzi, a concentration of artistic genius such as had never been, not produced by Rome itself, but attracted from every quarter by the master of Rome. What had been, one hundred years before, a neglected provincial town, became the centre of European civilisation by the action of the Popes, and principally of one ambitious Pope. The Vatican paintings were largely political, commemorating the sovereign more than the priest, until St. Peter's was designed to exhibit the sublime grandeur and unity of the universal Church, and the authority of its head upon earth. It was the crowning triumph of the Renaissance. When he was dying, Julius said that the masses are impressed not by what they know, but by what they see. He transmitted to his successors the conception of a Church to be the radiant centre of religion and of art for mankind; and we shall see that this was, after all, a disastrous legacy.
The Renaissance, which was at its height in Italy
