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MARIA EDGEWORTH.

the ever delightful “Great Panjandrum” therein introduced is not her own, but only a quotation from a little-known nonsense genius.

This sequel to Harry and Lucy was far from finding universal favour. Sir Walter Scott wrote of it to Joanna Baillie:—

I have not the pen of our friend Miss Edgeworth, who writes all the while she laughs, talks, eats and drinks, and I believe, though I do not pretend to be so far in the secret, all the time she sleeps too. She has good luck in having a pen which walks at once so unweariedly and so well. I do not, however, quite like her last book on education (Harry and Lucy), considered as a general work. She should have limited the title to Education in Natural Philosophy, or some such term, for there is no great use in teaching children in general to roof houses or build bridges, which, after all, a carpenter or a mason does a great deal better at 2s. 6d. a day. Your ordinary Harry should be kept to his grammar, and your Lucy of most common occurrence would be kept employed on her sampler, instead of wasting wood and cutting their fingers, which I am convinced they did, though their historian says nothing of it.

That both she and her father exacted much from their pupils and readers is beyond question, but they regarded this as a wholesome effort, and they were probably right. One thing is certain; that whatever their short-comings, Miss Edgeworth's children's tales exercised a wide, deep, and lasting influence over a long range of time, and nothing of equal or even approximate importance arose coeval with them. It was she who first brought rational morality to the level of the comprehension of childhood, who taught the language of virtue and truth in the alphabet of the young, thus forestalling the teaching of schools by her rare power of combining ethics with entertainment. Miss Edgeworth can still with advantage and pleasure hold her own even upon the present well-stocked nursery book-shelves, and it might be well