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NIGHT AND DAY
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Oh, do take it yourself,” she added, as Mrs. Bankes asked, in an awestruck tone of voice, for that privilege and began a preliminary unbuttoning of her white kid gloves.

“You are wonderfully like your grandfather, Miss Hilbery,” the American lady observed, gazing from Katharine to the portrait, “especially about the eyes. Come, now, I expect she writes poetry herself, doesn’t she?” she asked in a jocular tone, turning to William. “Quite one’s ideal of a poet, is it not, Mr. Rodney? I cannot tell you what a privilege I feel it to be standing just here with the poet’s granddaughter. You must know we think a great deal of your grandfather in America, Miss Hilbery. We have societies for reading him aloud. That! His very own slippers!” Laying aside the manuscript, she hastily grasped the old shoes, and remained for a moment dumb in contemplation of them.

While Katharine went on steadily with her duties as show-woman, Rodney examined intently a row of little drawings which he knew by heart already. His disordered state of mind made it necessary for him to take advantage of these little respites, as if he had been out in a high wind and must straighten his dress in the first shelter he reached. His calm was only superficial, as he knew too well; it did not exist much below the surface of tie, waistcoat, and white slip.

On getting out of bed that morning he had fully made up his mind to ignore what had been said the night before; he had been convinced, by the sight of Denham, that his love for Katharine was passionate, and when he addressed her early that morning on the telephone, he had meant his cheerful but authoritative tones to convey to her the fact that, after a night of madness, they were as indissolubly engaged as ever. But when he reached his office, his torments began. He found a letter from Cassandra waiting for him. She had read his play, and had taken the very first opportunity to write and tell him