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NIGHT AND DAY

what she thought of it. She knew, she wrote, that her praise meant absolutely nothing; but still, she had sat up all night; she thought this, that, and the other; she was full of enthusiasm most elaborately scratched out in places, but enough was written plain to gratify William's vanity exceedingly. She was quite intelligent enough to say the right things, or, even more charmingly, to hint at them. In other ways, too, it was a very charming letter. She told him about her music, and about a Suffrage meeting to which Henry had taken her, and she asserted, half seriously, that she had learnt the Greek alphabet, and found it “fascinating.” The word was underlined. Had she laughed when she drew that line? Was she ever serious? Didn't the letter show the most engaging compound of enthusiasm and spirit and whimisicality, all tapering into a flame of girlish freakishness, which flitted, for the rest of the morning, as a will-o’-the wisp across Rodney’s landscape. He could not resist beginning an answer to her there and then. He found it particularly delightful to shape a style which should express the bowing and curtsying, advancing and retreating, which are characteristic of one of the many million partnerships of men and women. Katharine never trod that particular measure, he could not help reflecting; Katharine—Cassandra; Cassandra—Katharine—they alternated in his consciousness all day long. It was all very well to dress oneself carefully, compose one’s face, and start off punctually at half-past four to a tea-party in Cheyne Walk, but Heaven only knew what would come of it all, and when Katharine, after sitting silent with her usual immobility, wantonly drew from her pocket and slapped down on the table beneath his eyes a letter addressed to Cassandra herself, his composure deserted him. What did she mean by her behaviour?

He looked up sharply from his row of little pictures. Katharine was disposing of the American lady in far too