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Nihongi.

were the crown of the nine heavens: they passed abroad through all the eight points of the compass: they declared their efficiency by the framing of ceremonial observances: they instituted music,[1] thereby manifesting order. The resulting happiness was truly complete: there was gladness which tallied with that of past years.[2]

Now thou, Ajihari, being an obscure and insignificant subject of the realm, didst suddenly entertain a grudging as regards the lands of the Crown, and hast lightly disregarded the messenger. It is the Imperial will that thou, Ajihari, shalt henceforth cease to hold the office of Local Governor." Hereupon, the Agata-nushi (XVIII. 6.) Ihibo's heart was filled with mingled joy and awe. He took his son Toriki and presented him to the Ohomuraji as a servant. Then Ajihari, Ohoshi Kahachi no Atahe, was afraid, and had lasting regret. Prostrating himself on the ground, with the perspiration streaming from him, he addressed the Ohomuraji, saying:—"I am an ignorant subject, and my crime deserves ten thousand deaths. I pray humbly that I may be allowed to furnish from each district in spring-time five hundred spade-labourers, and in the time of autumn five hundred, for the Emperor's service. My descendants to all ages will pray for their lives in dependence on this,[3] and they will keep it before them for ever as an exemplary punishment." He separately presented to Ohotomo no Ohomuraji six chô of rice-land in Sawida. This seems to have been the origin of the labourers of the Agata of Kahachi being attached to the Miyake of Takefu in Mishima as serfs.

This month Hatahime, daughter of Kikoyu, Ihoki be no Muraji, stole a necklace belonging to Okoshi, Ohotomo no Ohomuraji, and presented it to the Empress Kasuga. The matter was at length discovered, and Kikoyu gave his daughter, Hatahime, to be a servant of the Uneme. [The Kasuga Be

  1. The importance of music as a means of government is often insisted on in the ancient Chinese literature. The interlinear version has here uta-mai, "song and dancing," which latter was no doubt included. Ceremony and music are put generally for the pomp and circumstance which are the life of an Imperial Court.
  2. Here we have the imperial theory formulated in terms, be it noted, which are borrowed entirely from Chinese writings.
  3. i.e. this will be a perpetual ransom for the lives of my descendants.