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324
PAN TADEUSZ

girls wanted to dance and the boys could not stand still—but the notes carried the thoughts of the old men back into the past, to those happy years when the Senate and the House of Deputies, after that great day of the Third of May, celebrated in the assembly hall the reconciliation of King and Nation; when they danced and sang, "Vivat our beloved King, vivat the Diet, vivat the people, vivat all classes!"

The master kept quickening the time and playing with greater power, but suddenly he struck a false chord like the hiss of a snake, like the grating of iron on glass—it sent a shudder through every one, and mingled with the general gaiety an ill-omened foreboding. Disturbed and alarmed, the hearers wondered whether the instrument might not be out of tune, or the musician be making a blunder. Such a master had not blundered! He purposely kept touching that traitorous string and breaking up the melody, striking louder and louder that angry chord, confederated against the harmony of the tones; at last the Warden understood the master, covered his face in his hands, and cried, "I know, I know those notes; that is Targowica!" And suddenly the ill-omened string broke with a hiss; the musician rushed to the treble notes, broke up and confused the measure, abandoned the treble notes, and hurried his hammers to the bass strings.

One could hear louder and louder a thousand noises, measured marching, war, an attack, a storm; one could hear the reports of guns, the groans of children, the weeping of mothers. So finely did the wonderful master render the horrors of a storm that the village girls trembled, calling to mind with tears of grief the Massacre of Praga,229 which they knew from song and story; they were glad when finally the master thundered