This page has been proofread, but needs to be validated.
COMBINED SOUND AND GESTURE.
165

tions of the surface of the body, postures of the limbs, and also especially those expressive attitudes of the face to which our attention is particularly directed when we notice one another. The visible expression of the features is a symptom which displays the speaker's state of mind, his feelings of pleasure or disgust, of pride or humility, of faith or doubt, and so forth. Not that there is between the emotion and its bodily expression any originally intentional connexion. It is merely that a certain action of our physical machinery shows symptoms which we have learnt by experience to refer to a mental cause, as we judge by seeing a man sweat or limp that he is hot or footsore. Blushing is caused by certain emotions, and among Europeans it is a visible expression or symptom of them; not so among South American Indians, whose blushes, as Mr. David Forbes points out, may be detected by the hand or a thermometer, but being concealed by the dark skin cannot serve as a visible sign of feeling.[1] By turning these natural processes to account, men contrive to a certain extent to put on particular physical expressions, frowning or smiling for instance, in order to simulate the emotions which would naturally produce such expressions, or merely to convey the thought of such emotions to others. Now it is well known to every one that physical expression by feature, &c., forming a part of the universal gesture-language, thus serves as an important adjunct to spoken language. It is not so obvious, but on examination will prove to be true, that such expression by feature itself acts as a formative power in vocal language. Expression of countenance has an action beyond that of mere visible gesture. The bodily attitude brought on by a particular state of mind affects the position of the organs of speech, both the internal larynx, &c., and the external features whose change can be watched by the mere looker-on. Even though the expression of the speaker's face may not be seen by the hearer, the effect of the whole bodily attitude of

  1. Forbes, 'Aymara Indians,' in Journ. Eth. Soc. 1870, vol. ii. p. 208.