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EMOTIONAL AND IMITATIVE LANGUAGE.

which it forms part is not thereby done away with. For on the position thus taken by the various organs concerned in speech, depends what I have here called 'emotional tone,' whereby the voice carries direct expression of the speaker's feeling.

The ascertaining of the precise physical mode in which certain attitudes of the internal and external face come to correspond to certain moods of mind, is a physiological problem as yet little understood; but the fact that particular expressions of face are accompanied by corresponding and dependent expressions of emotional tone, only requires an observer or a looking-glass to prove it. The laugh made with a solemn, contemptuous, or sarcastic face, is quite different from that which comes from a joyous one; the ah! oh! ho! hey! and so on, change their modulations to match the expression of countenance. The effect of the emotional tone does not even require fitness in the meaning of the spoken words, for nonsense or an unknown tongue may be made to convey, when spoken with expressive intonation, the feelings which are displayed upon the speaker's face. This expression may even be recognized in the dark by noticing the tone it gives forth, while the forced character given by the attempt to bring out a sound not matching even the outward play of the features can hardly be hidden by the most expert ventriloquist, and in such forcing, the sound perceptibly drags the face into the attitude that fits with it. The nature of communication by emotional tone seems to me to be somewhat on this wise. It does not appear that particular tones at all belong directly and of themselves to particular emotions, but that their action depends on the vocal organs of the speaker and hearer. Other animals, having vocal organs different from man's, have accordingly, as we know, a different code of emotional tones. An alteration in man's vocal organs would bring a corresponding alteration in the effect of tone in expressing feeling; the tone which to us expresses surprise or anger might come to express pleasure, and so forth. As it is, children