hand a transforming influence, while on the other hand, as is usual in the combination of religions, the new divinity incorporated into himself the characteristics of native divinities, so that native ideas remained in part represented in him. A divine being whose characteristics are often so unlike what European intercourse would have suggested, could be hardly altogether of foreign origin.[1] Again, among the Greenlanders, Torngarsuk or Great Spirit (his name is an augmentative of 'torngak' — 'demon') was known to the early Danish missionary Egede as the oracular deity of the angekoks, to whose under-world souls hope to descend at death. He so far held the place of supreme deity in the native mind, that, as Cranz the missionary relates somewhat afterwards, many Greenlanders hearing of God and his almighty power were apt to fall on the idea that it was their Torngarsuk who was meant; but he was eventually identified with the Devil.[2] In like manner, Algonquin Indians, early in the 17th century, hearing of the white man's Deity, identified him with one known to their own native belief, Atahocan the Creator. When Le Jeune the missionary talked to them of an almighty creator of heaven and earth, they began to say to one another, 'Atahocan, Atahocan, it is Atahocan!' The traditional idea of such a being seems indeed to have lain in utter mythic vagueness in their thoughts, for they had made his name into a verb, 'Nitatahocan,' meaning, 'I tell a fable, an old fanciful story.'[3]
In late times, Schoolcraft represents the Great Spirit as a Soul of the Universe, inhabiting and animating all things, recognized in rocks and trees, in cataracts and clouds, in thunder and lightning, in tempest and zephyr, becoming incarnate in birds and beasts as titular deities, existing in the world under every possible form, animate and inani-
