too, most of his tenets are easily traced to their sources: in his vagaries as well as in his noblest and soundest aspirations he was merely continuing work which others had prepared.
An objective survey of Tolstoy's work in realistic fiction, in which he ranked supreme should start with the admission that he was by no means the first arrival among the Russans in that field. Nicholas Gogol, Fedor Dostoievsky, and Ivan Turgenieff had the priority by a small margin. Of these three powerful novelists, Dostoievsky (1821-1881) has probably had an even stronger influence upon modern letters than has Tolstoy himself. He was one of the earliest writers of romance to show the younger generation how to found fiction upon deeper psychologic knowledge. His greatest proficiency lay, as is apt to be the case with writers of a realistic bent, in dealing with the darkest side of life. The wretched and outcast portion of humanity yielded to his skill its most congenial material. His novels — "Poor Folk," (1846), "Memoirs from a Dead House," (1862), "Raskolnikoff," (1866), "The Idiot," (1868), "The Karamasoffs," (1879) — take the reader into company such as had heretofore
