uite out of the question. All those, however, that seem vital for the purpose of a just estimate and characterization will be touched upon.
The literary fame of Tolstoy was abundantly secured already in the earlier part of his life by his numerous short stories and sketches. The three remarkable pen pictures of the siege of Sebastopol, and tales such as "The Cossacks," "Two Hussars," "Polikushka," "The Snow-Storm," "The Encounter," "The Invasion," "The Captive in the Caucasus," "Lucerne," "Albert," and many others, revealed together with an exceptional depth of insight an extraordinary plastic ability and skill of motivation; in fact they deserve to be set as permanent examples before the eyes of every aspiring author. In their characters and their setting they present true and racy pictures of a portentous epoch, intimate studies of the human soul that are full of charm and fascination, notwithstanding their tragic sadness of outlook. Manifestly this author was a prose poet of such marvelous power that he could abstain consistently from the use of sweeping color, overwrought sentiment, and high rhetorical invective.
At this season Tolstoy, while he refrained from
