Page:Prophets of dissent essays on Maeterlinck, Strindberg, Nietzsche and Tolstoy (1918).djvu/190

following any of the approved literary models, was paying much attention to the artistic refinement of his style. There was to be a time when he would abjure all considerations of artistry on the ground that by them the ethical issue in a narration is beclouded. But it would be truer to say conversely that in his own later works, since "Anna Karenina," the clarity of the artistic design was dimmed by the obstrusive didactic purpose. Fortunately the artistic interest was not yet wholly subordinated to the religious urge while the three great novels were in course of composition: "War and Peace," (1864-69), "Anna Karenina," (first part, 1873; published complete in 1877), and "Resurrection," (1899). To the first of these is usually accorded the highest place among all of Tolstoy's works; it is by this work that he takes his position as the chief epic poet of modern times. "War and Peace" is indeed an epic rather than a novel in the ordinary meaning. Playing against the background of tremendous historical transactions, the narrative sustains the epic character not only in the hugeness of its dimensions, but equally in the qualities of its technique. There is very little comment by the author upon the events, and merely a touch of subjective irony here and