emotions, turns half away. The best figure is that of the son: the feebleness arising from physical suffering—veneration for his seemingly severe parent—grief, tenderness, and resignation—are well expressed in his kneeling figure and downcast face.
The Venetians are much interested at this moment by the restoration of the Pala of the high altar of St. Mark’s. It required an order to view it and the other precious objects preserved in the Treasury.
The Basilica of San Marco is the most singular among the edifices of Venice. Its strange Arab architecture denotes its great antiquity. The ancient chapel of St. Theodore (who, before the transfer of the body of St. Mark, was the patron saint of the city), built in 552, was incorporated in 828 in the ancient church of St. Mark, at the time when the bones of the Saint arrived. These edifices being consumed by fire, the foundations of the present were laid in 976, and completed in 1071; but even until the middle of the last century its internal decorations were not completed.
Every portion glistens with precious stones. Its walls are covered with pictures in Mosaic: its pavement, and the five hundred columns that adorn it, are composed of verde antique, jasper, porphyry, agate, and the most precious marbles. Usually, one cares little for such things; but here the barbaric
