magnificence—the Eastern aspect—the tombs of heroes it contains, and its association with the glories of the republic—combine to render the tribute of Mammon to Heaven interesting.
The high altar has two Pale: one covers the other. The internal one, a curiosity from its richness, has been taken down to be repaired. It is called the Pala d’oro, and is formed of enamel paintings on silver and gold, encrusted with a profusion of gems; it was executed at Constantinople by order of the Doge Piero Orseolo, under whose reign the Basilica was finished. It now forms the delight of Venice, and many noble ladies have contributed a quantity of gems, to replace those that have been lost. It is a curious specimen of the state of the arts in the middle ages, before it revived and received a soul from the great painters of Tuscany and Umbria. It is all glitter and richness, and a sort of barbaric elegance, without real taste.
The treasure of St. Mark once overflowed with wealth, in gems, pearls, and worked gold, chiefly transferred from Constantinople; these have all disappeared; the only objects that attract attention are an antique porphyry vase, with letters carved on it, such as are found in Persepolis—and a golden rose, one of those which it was the practice of the popes to present on certain occasions to catholic sovereigns.
