history of Italian literature and a philosophical work. In his tastes with regard to poetry not Italian, he admires Schiller and Shakspeare; but, unlike almost every other foreigner, the scepticism of Lord Byron renders his poetry distasteful to him. His soul is filled with love of the beautiful, the elevated, and the pure. These qualities shine forth particularly in his odes, which, since Petrarch, are the most perfect lyries in the language; and among them, the “Inni Sacri” are distinguished for the exquisite finish and poetic fire that adorns the fervent piety which they breathe.
It would be vain to attempt to say even a few words of the swarm of romance writers that have tried to follow in his steps, and who all deserve the same praise of writing to instruct and elevate, and not, as is too usual with writers of fiction, to amuse, and even corrupt. Out of Italy, Azeglio ranks highest. Like all Italian writers of the day, he is animated by a patriotic feeling. The desire of destroying the prejudices that separate state from state, made him, who is a Piedmontese, choose for his heroes Neapolitans and Florentines. In his first novel, “Ettore Fieramosca,” he impresses on his readers the loveliness of the feminine character, depicting the purest struggles between passion and duty. In “Niccoli de’ Lapi,” a
