burning love of country, joined to a piety at war with the grosser superstitions of Rome, adorns his venerable hero. The Tuscans generally do not like his style, and prefer that of Grossi. Tommaso Grossi is the intimate friend of Manzoni, to whom he dedicated his popular romance of “Marco Visconti,” calling him by the endearing name of “Master.” He commenced his literary career by the publication of two beautiful tales in verse, “Ildegonda,” and the “Fuggitiva;” in this species of composition there is no one to compare with him, and “Ildegonda,” in the estimation of his countrymen, is quite inimitable. A Florentine, Guerrazzi, has published two romances, “L’Assedio di Firenze,” and “La Battaglia di Benevento,” popular in his own country, from the ardent, the almost frantic love of liberty which inspires their author. This is a spirit that ever finds a clear echo in hearts palpitating with the sense of wrong, and with the aspiration to independence. He is eloquent and passionate in his style, and has happy touches of situation and character which show him to be a man of genius—but he is diffuse, exaggerated, and sometimes incoherent.
A greater man than these, and in the eyes of his countrymen, equal to Manzoni, is the Florentine, Gian. Battista Niccolini. This poet, it is true, is
