An eye witness of many of the events which he narrates, and frequently a prominent actor in them, he strives to be impartial both to friends and enemies. He has not, however, escaped the blame of undue bias. He expresses his opinions at times with too much passion, displaying excessive severity against his rivals or opponents in his military career. This, however, is not much; and, with very slight drawbacks, he may be esteemed worthy of the reader’s confidence. He knew the men whose character he draws, and these individual portraits give value to the work they contribute to adorn. Among them may be named, in especial, that of the infamous Canosa, and the youthful hero, Emanuel de Deo. Even more admirable are his striking descriptions, after the manner of Tacitus. If you shrink from undertaking the whole work, read the accounts of the earthquake in Calabria in 1783—of the executions of 1799—of the death of the unfortunate Murat—of the tragical fate of the Vardarelli—and the character of the reign of Ferdinand, at the conclusion. It will be difficult to find finer passages in any history.
He came to Florence in 1823, and died on 11th November, 1831. The interval was spent in composing his work, and rendered happy by his intimate friendship with two Italians, esteemed as
