Page:Researches into the Early History of Mankind and the Development of Civilization.djvu/98

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PICTURE-WRITING AND WORD-WRITING.

Oronoko who it was that sculptured the figures of animals and symbolic signs high up on the face of the crags along the river, they answered with a smile, as relating a fact of which only a stranger, a white man, could possibly be ignorant, "that at the time of the great waters their fathers went up to that height in their canoes."[1]

As the gesture-language is substantially the same among savage tribes all over the world, and also among children who cannot speak, so the picture-writings of savages are not only similar to one another, but are like what children make untaught even in civilized countries. Like the universal language of gestures, the art of picture-writing tends to prove that the mind of the uncultured man works in much the same way at all times and everywhere. As an example of the way in which it is possible for an observer who has never realised this fact to be led astray by such a general resemblance, the celebrated "Livre des Sauvages" may be adduced.

This book of pictures had been lying for many years in a Paris library, before the Abbé Domenech unearthed it and published it in facsimile, as a native American document of high ethnological value. It contains a number of rude drawings done in black lead and red chalk, in great part enormously in- decent, though perhaps not so much with the grossness of the savage as of the European blackguard. Many of the drawings represent Scripture scenes, and ceremonies of the Roman Catholic church, often accompanied by explanatory German words in the cursive hand, one or two of which, as the name "Maria" written close to the rude figure of the Virgin Mary, the Abbé succeeded in reading, though most of them were a deep mystery to him. There are an evident Adam and Eve in the garden, with "betruger" (deceiver) written against them; Adam and Eve sent out of Paradise, with the description "gebant" (banished); a priest offering mass; figures with the well-known rings of bread in their hands, explained as "fassdag" (fast-day), and so on. There is no evidence of any connexion with America in the whole matter, except that the document is said to have come into the hands of a collector, in company with

  1. Humboldt and Bonpland, vol. ii. p. 239.