place in which the true Franciscan spirit can be found outside the true Franciscan story, it is in that tale of the Tumbler of Our Lady. And when St. Francis called his followers the Jongleurs de Dieu, he meant something very like the Tumblers of Our Lord.
Somewhere in that transition from the ambition of the Troubadour to the antics of the Tumbler is hidden, as under a parable, the truth of St. Francis. Of the two minstrels or entertainers, the jester was presumably the servant or at least the secondary figure. St. Francis really meant what he said when he said he had found the secret of life in being the servant and the secondary figure. There was to be found ultimately in such service a freedom almost amounting to frivolity. It was comparable to the condition of the jongleur because it almost amounted to frivolity. The jester could be free when the knight was rigid; and it was possible to be a j ester in the service which is perfect freedom. This parallel of the two poets or minstrels is perhaps the best preliminary and external statement of the Franciscan change of heart, being conceived under an image with which the imagination of the modern world has a certain sympathy. There was, of course, a great deal more than this involved; and we must endeavour however insufficiently to penetrate past the image to the idea. It is so far like the tumblers that it is really to many people a topsy-turvy idea.
