position with seriousness, even with pomp; the long rooms, the silent servants, seemed in his eyes like the observances of some religion of which he was the mortal god. He had the stupid man's intolerance of stupidity in others; the vain man's exquisite alarm lest it should be detected in himself. And on both sides Norris irritated and offended him. He thought his son a fool, and he suspected that his son returned the compliment with interest. The history of their relation was simple; they met seldom, they quarrelled often. To his mother, a fiery, pungent, practical woman, already disappointed in her husband and her elder son, Norris was only a fresh disappointment.
Yet the lad's faults were no great matter; he was diffident, placable, passive, unambitious, unenterprising; life did not much attract him; he watched it like a curious and dull exhibition, not much amused, and not tempted in the least to take a part. He beheld his father ponderously grinding sand, his mother fierily breaking butterflies, his brother labouring at the pleasures of the Hawbuck with the ardour of a soldier in a doubtful battle; and the vital sceptic looked on wondering. They were careful and troubled about many things; for him there seemed not even one thing needful. He was born disenchanted, the world's promises awoke no echo in his bosom, the world's activities and the world's distinctions seemed to him equally without a base in fact. He liked the open air; he liked comradeship, it mattered not with whom, his comrades were only a remedy for solitude. And he had a taste for painted art. An array of fine pictures looked upon his childhood, and from these roods of jewelled canvas he received an indelible impression. The gallery at Stallbridge betokened generations of picture lovers; Norris was perhaps the first of his race to hold the pencil. The taste was genuine, it grew and strengthened with his growth; and yet
