he suffered it to be suppressed with scarce a struggle. Time came for him to go to Oxford, and he resisted faintly. He was stupid, he said; it was no good to put him through the mill; he wished to be a painter. The words fell on his father like a thunderbolt, and Norris made haste to give way. “It didn't really matter, don't you know?” said he. “And it seemed an awful shame to vex the old boy.”
To Oxford he went obediently, hopelessly; and at Oxford became the hero of a certain circle. He was active and adroit; when he was in the humour, he excelled in many sports; and his singular melancholy detachment gave him a place apart. He set a fashion in his clique. Envious undergraduates sought to parody his unaffected lack of zeal and fear; it was a kind of new Byronism more composed and dignified. “Nothing really mattered;” among other things, this formula embraced the dons; and though he always meant to be civil, the effect on the college authorities was one of startling rudeness. His indifference cut like insolence; and in some outbreak of his constitutional levity (the complement of his melancholy) he was “sent down” in the middle of the second year.
The event was new in the annals of the Carthews, and Singleton was prepared to make the most of it. It had been long his practice to prophesy for his second son a career of ruin and disgrace. There is an advantage in this artless parental habit. Doubtless the father is interested in his son; but doubtless also the prophet grows to be interested in his prophecies. If the one goes wrong, the others come true. Old Carthew drew from this source esoteric consolations; he dwelt at length on his own foresight; he produced variations hitherto unheard from the old theme “I told you so,” coupled his son's name with the gallows and the hulks, and spoke of his small handful of college debts as though he must raise money on a mortgage to discharge them.
