Si je pouvais, ô ma colombe.
Et toi, mère, qui t'envolas,
M'agenouiller sur votre tombe,
Hélas!
Oh! vers l'étoile solitaire,
Comme je lèverais les bras!
Comme je baiserais la terre,
Hélas!
Loin de vous, ô morts que je pleure,
Des flots noirs j'écoute le glas;
Je voudrais fuir, mais je demeure,
Hélas!
Pourtant le sort, caché dans l'ombre,
Se trompe si, comptant mes pas,
Il croit que le vieux marcheur sombre
Est las.
The epic book is the most tragic and terrible of all existing poems of its kind; if indeed we may say that it properly belongs to any kind existing before its advent. The growing horror of the gradual vision of history, from Henri the Fourth to his bloody and gloomy son, from Louis the Thirteenth to the murderer and hangman of the Palatinate and the Cévennes, from Louis the Fourteenth to the inexpressible pollution of incarnate ignominy in his grandson, seems to heave and swell as a sea towards the coming thunder which was to break above the severed head of their miserable son.
And next year came Torquemada: one of the greatest masterpieces of the master poet of our century. The construction of this tragedy is absolutely original and unique: free and full of change as the wildest and loosest and
