From what has been collected on this topic, it will be understood that boys in Athens not unfrequently caused quarrels and street-brawls, and that cases for recovery of damages or breach of contract were brought before the Attic law-courts. The Peiræus was especially noted for such scenes of violence. The oration of Lysias against Simon is a notable example of the pleadings in a cause of this description.[1] Simon, the defendant, and Lysias, the plaintiff (or some one for whom Lysias had composed the speech) were both of them attached to Theodotus, a boy from Platæa. Theodotus was living with the plaintiff; but the defendant asserted that the boy had signed an agreement to consort with him for the consideration of three hundred drachmæ, and, relying on this contract, he had attempted more than once to carry off the boy by force. Violent altercations, stone-throwings, house-breakings, and encounters of various kinds having ensued, the plaintiff brought an action for assault and battery against Simon. A modern reader is struck with the fact that he is not at all ashamed of his own relation towards Theodotus. It may be noted that the details of this action throw light upon the historic brawl at Corinth, in which a boy was killed, and which led to the foundation of Syracuse by Archias the Bacchiad.[2]
XIV.
We have seen in the foregoing section that paiderastia at Athens was closely associated with liberty, manly sports, severe studies, enthusiasm, self-sacrifice, self-control, and deeds of daring, by those who cared for those things. It has also been made abundantly manifest that no serious moral shame attached to persons who used boys like women, but that effeminate youths of free birth were stigmatised for their indecent profligacy. It remains still to ascertain the more delicate distinctions which were drawn by Attic law and custom in this matter, though what has been already quoted from Pausanias, in the Symposium of Plato, may be taken fairly to express the code of honour among gentlemen.
In the Plutus,[3] Aristophanes is careful to divide "boys with lovers," into "the good," and "the strumpets." This distinction
