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III. THE LION TAMER.
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47. I may at once, and without need of returning to this question, illustrate the difference in dignity and safety between the mental actions of literature and art, by referring to a passage, otherwise beautifully illustrative of St. Jerome's sweetness and simplicity of character, though quoted, in the place where we find it, with no such favouring intention,—namely, in the pretty letter of Queen Sophie Charlotte, (father's mother of Frederick the Great,) to the Jesuit Vota, given in part by Carlyle in his first volume, ch. iv.

"'How can St. Jerome, for example, be a key to Scripture?' she insinuates ; citing from Jerome this remarkable avowal of his method of composing books;—especially of his method in that book, Commentary on the Galatians, where he accuses both Peter and Paul of simulation, and even of hypocisy. The great St. Augustine has been charging him with this sad fact, (says her Majesty, who gives chapter and verse,) and Jerome answers, ' I followed the commentaries of Origen, of—five or six different persons, who turned out mostly to be heretics before Jerome had quite done with them, in coming years, 'And to confess the honest truth to you,' continues Jerome,' I read all that, and after having crammed my head with a great many things