nor victims; the Cockatrice and Adder. Representing the most active evil principles of the earth, as in their utmost malignity; still, Pedestals of Christ, and even in their deadly life, accomplishing His final will.
Both creatures are represented accurately in the mediaeval traditional form, the cockatrice half dragon, half cock; the deaf adder laying one ear against the ground and stopping the other with her tail.
The first represents the infidelity of Pride. The cockatrice—king serpent or highest serpent—saying that he is God, and will be God.
The second, the infidelity of Death. The adder (nieder or nether snake) saying that he is mud, and will be mud.
34. Lastly, and above all, set under the feet of the statue of Christ Himself, are the lion and dragon; the images of Carnal sin, or Human sin, as distinguished from the Spiritual and Intellectual sin of Pride, by which the angels also fell.
To desire kingship rather than servantship—the Cockatrice's sin, or deaf Death rather than hearkening Life—the Adder's sin,—these are both possible to all the intelligences of the universe. But the distinctively Human sins, anger and lust, seeds in our race of their perpetual sorrow —Christ in His own humanity, conquered; and conquers in His
