The second part, "Ponte della Pietra," will, I hope, do more for Theodoric and Verona than I have been able to do for Clovis and the first capital of France.
The third, "Ara Celi," will trace the foundations of the Papal power.
The fourth, "Ponte-a-Mare," and fifth, "Ponte Vecchio," will only with much difficulty gather into brief form what I have by me of scattered materials respecting Pisa and Florence.
The sixth, "Valle Crucis," will be occupied with the monastic architecture of England and Wales.
The seventh, "The Springs of Eure," will be wholly given to the cathedral of Chartres.
The eighth, "Domremy," to that of Rouen and the schools of architecture which it represents.
The ninth, "The Bay of Uri," to the Pastoral forms of Catholicism, reaching to our own times.
And the tenth, "The Bells of Cluse," to the pastoral Protestantism of Savoy, Geneva, and the Scottish border.
Each part will consist of four sections only; and one of them, the fourth, will usually be descriptive of some monumental city or cathedral, the resultant and remnant of the religious power examined in the preparatory chapters.
One illustration at least will be given with each chapter, and drawings made for others, which will be placed at once in the Sheffield museum for public reference, and engraved as I find support, or opportunity for binding with the completed work.
As in the instance of Chapter IV. of this first part, a smaller edition of the descriptive chapters will commonly be printed in reduced form for travellers and non-subscribers; but otherwise, I intend this work to be furnished to subscribers only.
