snatched a glimpse at England, and been back again. But my wanderings were confined within a very limited sphere. I hopped and fluttered, like a bird with a string about its leg, gyrating round a small circumference, and keeping up a restless activity to no purpose. Thus it was still in our familiar Massachusetts,—in one of its white country-villages,—that I must next particularize an incident.
The scene was one of those lyceum-halls, of which almost every village has now its own, dedicated to that sober and pallid, or rather drab-colored, mode of winter-evening entertainment, the lecture. Of late years, this has come strangely into vogue, when the natural tendency of things would seem to be to substitute lettered for oral methods of addressing the public. But, in halls like this, besides the winter course of lectures, there is a rich and varied series of other exhibitions. Hither comes the ventriloquist, with all his mysterious tongues; the thaumaturgist, too, with his miraculous transformations of plates, doves, and rings, his pancakes smoking in your hat, and his cellar of choice liquors represented in one small bottle. Here, also, the itinerant professor instructs separate classes of ladies and gentlemen in physiology, and demonstrates his lessons by the aid of real skeletons, and mannikins in wax, from Paris. Here is to be heard the choir of Ethiopian melodists, and to be seen the diorama of Moscow or Bunker Hill, or the moving panorama of the Chinese wall. Here is displayed the museum of wax figures, illustrating the wide catholicism of earthly renown, by mixing up heroes and statesmen, the pope and the Mormon prophet, kings, queens, murderers, and beautiful ladies; every sort of per-
