son, in short, except authors, of whom I never beheld even the most famous done in wax. And here, in this many-purposed hall (unless the selectmen of the village chance to have more than their share of the Puritanism which, however diversified with later patchwork, still gives its prevailing tint to New England character), here the company of strolling players sets up its little stage, and claims patronage for the legitimate drama.
But, on the autumnal evening which I speak of, a number of printed handbills—stuck up in the bar-room, and on the sign-post of the hotel, and on the meeting-house porch, and distributed largely through the village—had promised the inhabitants an interview with that celebrated and hitherto inexplicable phenomenon, the Veiled Lady!
The hall was fitted up with an amphitheatrical descent of seats towards a platform, on which stood a desk, two lights, a stool, and a capacious antique chair. The audience was of a generally decent and respectable character: old farmers, in their Sunday black coats, with shrewd, hard, sun-dried faces, and a cynical humor, oftener than any other expression, in their eyes; pretty girls, in many-colored attire; pretty young men,—the schoolmaster, the lawyer or student at law, the shopkeeper,—all looking rather suburban than rural. In these days, there is absolutely no rusticity, except when the actual labor of the soil leaves its earth-mould on the person. There was likewise a considerable proportion of young and middle-aged women, many of them stern in feature, with marked foreheads, and a very definite line of eyebrow; a type of womanhood in which a bold intellectual development seems to be keeping pace with the progress-
