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386 APPENDIX The beginnings of Lombard art in the north of Italy : R. Cat- taneo, op. cit. ; ib., The Basilica of St. Mark (edited by Boito), p. 255, etc.; Kraus, Geschichte der christlichen Kunst, I, pp. 591-600 ; Stickelberg, Die Longobardishe Plastik, Zurich, 1896. Barbaric art of northern Europe: Nordische Altertums- kunde, Sophus Miiller (Deutsche Ausgabe, 1897); Du Chaillu, The Viking Age (1889); N. Nicolaysen, The Viking Ship (1882) ; O. Montelius, Civilization of Sweden in Heathen Times (1888) ; Barriere-Flavy, Sepultures Bar- bares du midi et de I'ouest de la France (1892) ; J. de Baye, Industrie Anglo-Saxonne (1889) ; Earl of Dunraven, Notes on Irish Architecture (1875) ; G. Petrie, Round Towers and Ancient Architecture in Ireland (1845) ; Ernest Chantre, Age du Bronze ; O. Almgren, Studien iiber nordeuropaische Fibelnformen (1897). Also generally on Anglo-Saxon and Irish art: Westwood, Anglo-Saxon and Irish Manuscripts (1868) ; Kraus, Gesch. der christlichen Kunst, I, pp. 600- 620; Woltmann and Woerniann, Hist, of Painting, I, pp. 201-207; E. Miintz, La Miniature Irlandaise (in iStudes iconographiques) ; M. Stokes, Early Christian Architecture in Ireland (1878). Carolingian art : Leitschuh, Geschichte der Karolingischen Malerei (1894) ; Woltmann and Woermann, Hist, of Paint- ing, pp. 207-220 ; Kraus, Geschichte der christlichen Kunst, II, pp. 1-76 ; J. Von Schlosser, Beitrage zur Kunstgeschichte aus den Schriftquellen des friiheren Mittelalters, Sitzungs- berichte der Phil.-Hist. Classe, Wien. Akademie, Bd. 123 (1890) ; the same, Schriftsquellen zur Geschichte der Karo- lingischen Kunst (1892) ; Janitschek, Ges. der Deutschen Malerei, p. 14 et seq. (1890) ; Bode, Geschichte der Deutschen Plastik (1887) ; Strzygowski, Byzantinische Denkmaler. The picture cycle is fully treated by Leitschuh, op. cit., pp. 54-69 and p. 95 et seq. Also for the subjects of Carolingian painting and those of the time of the Ottos, see Kraus,