wrappeth in an Allegory[1] (as the construction of Epic poesy requireth) and feigns that one of these Goddesses had taken up her abode with the other, and that they jointly inspired all such writers and such works. [2]He proceedeth to shew the qualities they bestow on these authors, and the effects they produce[3]: then the materials, or stock, with which they furnish them[4]; and (above all) that self-opinion[5] which causeth it to seem to themselves vastly greater than it is, and is the prime motive of their setting up in this sad and sorry merchandice. The great power of these Goddesses acting in alliance (whereof as the one is the mother of Industry, so is the other of Plodding) was to be exemplified in some one, great and remarkable Action[6]: And none could be more so than that which our poet hath chosen, viz. the restoration of the reign of Chaos and Night, by the ministry of Dulness their daughter, in the removal of her imperial seat from the City to the polite World; as the Action of the Æneid is the restoration of the empire of Troy, by the removal of the race from thence to Latium. But as Homer singing only the Wrath of Achilles, yet includes in his poem the whole history of the Trojan war; in like manner our author hath drawn into this single Action the whole history of Dulness and her children.
A Person must next be fixed upon to support this Action. This Phantom in the poet's mind must have a Name[7]: He finds it to be ———; and he becomes of course the Hero of the poem.
The Fable being thus, according to the best example, one and entire, as contained in the Proposition; the Machinery is a continued chain of Allegories, setting forth the whole Power, Ministry, and Empire of Dulness, extended through her subordinate instruments, in all her various operations.
This is branched into Episodes, each of which hath its Moral apart, though all conducive to the main end. The Crowd assembled in the second book, demonstrates the design to be more extensive than to bad poets only, and that we may expect other Episodes of the Patrons, Encouragers, or Paymasters of such authors, as occasion shall bring them forth. And the third book, if well considered, seemeth to embrace the whole World. Each of the Games relateth to some or other vile class of writers: The first concerneth the Plagiary, to whom he giveth the name of More; the second the libellous Novellist, whom he styleth Eliza; the third, the flattering De-
