ward jurisdictions of the aldermen. On 18 November a letter was received from the Council pointing out that the infection had ceased, and that 'theis poore men the players' should now be permitted to exercise within the City for their 'releife' and 'redinesse with convenient matters for her highnes solace this next Christmas'. Nothing is here said about Sundays, but the Council Register contains a minute for a letter of 3 December to the Mayor, distinct, unless there is some confusion of date, from that of 18 November, of which there is no entry in the Register, and referring to a petition from the players, and a stipulation made with them that Sundays should be excluded, and performances limited to holy days and other week-days. This looks as if the Corporation had questioned the first mandate and had secured a concession as the price of submission. It must count as a victory for the Puritans, but they were not content, and one of the London ministers, John Field, took occasion to address a letter of reproach to the Earl of Leicester for yielding to the players, 'to the great greife of all the godly'.
It is difficult to resist the belief that a measure taken during this same December arose from a desire of the Council to counteract the growing recalcitrancy of the Corporation by a device similar to that which had been successful in 1574. The precedent set in the issue of a patent to Leicester's men was not, however, exactly followed. The position was now dealt with in a more comprehensive fashion, by the issue of a commission under a patent to the Master of the Revels himself. The object of this commission was in part to invest the Master with authority to press workmen and wares for the service of the Revels. But it also empowered him to call upon players and playmakers to appear before him and recite their pieces, presumably with a view to their consideration for performance at Court. And, as it were incidentally to the exercise of such a power, the patent went on to declare in the most general terms that the Master of the Revels was thereby appointed 'of all suche showes plaies plaiers and playmakers together with their playing places to order and reforme auctorise and put downe as shalbe thought meete or unmeete unto himselfe or his said deputie in that behalfe'. Like the licence of 1574, the commission of 1581 is expressed as being 'any acte statute ordynance or provision' to the contrary notwithstanding.
The functions thus assigned to the Master of the Revels came to be of the first importance in the history of the stage. But for the moment the result of their stroke can hardly have satisfied the expectations of the Council. The Corpora-
