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landlord and tenants as to the lease of the Theatre had reached a crisis, and in December or January the Burbadges removed the timber of the house across the Thames, to serve as material for the construction of the Globe. The lease of the new site was signed on 21 February 1599. Under it one moiety of the interest was retained by Richard Burbadge and his brother Cuthbert, who was not himself an actor; the other was assigned to Shakespeare, Pope, Phillips, Heminges, and Kempe.[1] Shortly afterwards Kempe made over his share to the other four. Presumably he now quitted the company, having first, as a stage-direction shows, played Peter in the revised version of Romeo and Juliet printed in 1599. His place was probably taken by Robert Armin, formerly of Lord Chandos's men, who describes himself in two successive issues of his Fool upon Fool (1600 and 1605), first as 'clonnico del Curtanio', and then as 'clonnico del Mondo', and who had therefore probably joined the Chamberlain's men before their actual transfer to the Globe. As the Theatre had to be built, this is not likely to have taken place until the autumn of 1599, and it must therefore remain doubtful which house was the 'wooden O' of Henry V, produced during the absence of Essex in Ireland between 27 March and 28 September 1599. It was, however, certainly at the Globe that Thomas Platter saw Julius Caesar on 21 September.[2] 'This fair-filled Globe', too, is named in the epilogue to Jonson's Every Man Out of his Humour, which is ascribed in the Folio of 1606 to 1599, although if this be correct, an apparent allusion to Kempe's journey to Norwich in the spring of 1600 must, on the assumption that it is a real allusion, be an interpolation. The 'principall Comoedians' in this play were Burbadge, Heminges, Phillips, Condell, Sly, and Pope. Four of the 1598 names are missing. Shakespeare evidently stood aside. Kempe had gone. Beeston and Duke may have gone also, although it is only a conjecture of Mr. Fleay's that they and Kempe now seceded to Pembroke's men at the Rose, and they are not definitely heard of again until they are found with Worcester's men in August 1602.[3] Mr. Fleay thinks that another Worcester's man, Robert Pallant, had accompanied them; but, although Pallant was with Strange's or the Admiral's about 1590, there is no

  1. For further details, cf. ch. xvi (Globe).
  2. Cf. ch. xvi, introd.
  3. Fleay, 138; cf. Murray, ii. 125; Greg, Henslowe, ii. 108. A loan of 21 Sept. 1600 by Henslowe (i. 132) to Duke is only slight evidence, and the fact that Anne's men chose to revive the already printed Edward II, once a Pembroke's play, even slighter.