Page:The Elizabethan stage (Volume 2).pdf/224

This page needs to be proofread.

evidence that he was ever a Chamberlain's man. Conceivably he may have joined the King's men about 1619, but that is another matter.[1] About November 1599 was published A Warning for Fair Women, which belonged to the company.

The Court plays called for from the Chamberlain's men during the following winter were on 26 December 1599 and on 6 January and 3 February 1600. Heminges was sole payee, and occupied the same position in every subsequent year, up to and beyond 1616, except in 1600-1, when Richard Cowley was associated with him, and for a special payment made to Burbadge in 1604. On 6 March 1600 the company had an opportunity of rendering direct service to their patron Lord Hunsdon, by playing Henry IV, still oddly called Sir John Oldcastle, after a dinner which he gave to the Flemish ambassador, Ludovic Verreyken, presumably at his house in the Blackfriars.[2] To 1600 I assign Shakespeare's Merry Wives of Windsor, not improbably prepared for performance, with the aid of the boys of Windsor Chapel, at the Garter Feast on 23 April, and also As You Like It. This was a year of some activity among the publishers and, as in 1598, the company had to take steps to protect their interests. In May John Roberts was prevented from printing their moral of Cloth Breeches and Velvet Hose, until he could bring proper authority, and in August a note was made in the Stationers' Register to stay the printing of As You Like It, Henry V, and Much Ado about Nothing.[3] The last two of these, but not the first, were in fact printed during the year, and so were A Midsummer-Night's Dream, The Merchant of Venice, 2 Henry IV, Every Man Out of his Humour, and An Alarum for London, all plays belonging to the company.

The Chamberlain's men played at Court on 26 December 1600 and on 6 January and 24 February 1601. Shortly before this last performance, they had been involved in one of the tragedies of history. This was the abortive coup d'état of 8 February 1601 in which the Earl of Essex, smarting under the disgrace which his failure in Ireland had brought upon him, attempted to secure his position and get rid of Sir Walter Raleigh and other enemies by taking forcible possession of the person of Elizabeth and the palace of Whitehall. Some of his followers seem to have conceived the idea of predisposing the mind of the populace to their cause by a dramatic representation of the dangers of evil counsellors and the possible remedy of a deposition, as illustrated in the case of Elizabeth's predecessor Richard II, in whom for some

  1. Cf. ch. xv.
  2. Cf. ch. vii.
  3. Cf. ch. xxii.