IX.
THE GRAMMAR OF ORNAMENT.[1]
The inventor of movable types, says the venerable Teufelsdröckh, was disbanding hired armies, cashiering most kings and senates, and creating a whole new democratic world. Has any one yet said what great things are being done by the men who are trying to banish ugliness from our streets and our homes, and to make both the outside and inside of our dwellings worthy of a world where there are forests and flower-tressed meadows, and the plumage of birds; where the insects carry lessons of color on their wings, and even the surface of a stagnant pool will show us the wonders of iridescence and the most delicate forms of leafage? They, too, are modifying opinions, for they are modifying men's moods and habits, which are the mothers of opinions, having quite as much to do with their formation as the responsible father—Reason. Think of certain hideous manufacturing towns where the piety is chiefly a belief in copious perdition, and the pleasure is chiefly gin. The dingy surface of wall pierced by the ugliest windows, the staring shopfronts, paper-hangings, carpets, brass and gilt mouldings, and advertising placards, have an effect akin to that of malaria; it is easy to understand that with such surroundings there is more belief in cruelty than in beneficence, and that the best earthly bliss attainable is the dulling of the external senses. For it is a fatal mistake to suppose that ugliness which is taken for beauty will answer all the purposes of beauty; the subtle relation between all kinds of truth and fitness in our life forbids that bad taste should ever be harmless to our moral sensibility or our intellectual discernment; and—more than that—as it is probable that fine musical harmonies have a sanative influence over our bodily organization, it is also probable
- ↑ "The Grammar of Ornament." By Owen Jones, Architect. Illustrated by Examples from various Styles of Ornament. One hundred and twelve plates. Day & Son, London.
