come details of the Huacas or idols, divination, fasts, interments, and very graphic representations of the punishments for various offences. There is a chapter on the Virgins of the Sun with an illustration, and several Quichua harvest, hunting, dancing, and love songs. Huaman Poma next describes the palaces, and gives an account of the occupations of the people at various ages.
Then comes the conquest. The author gives pictures of Atahualpa, of Pizarro and Almagro, and of his own relations being roasted alive by Pizarro. There are a series of portraits of the eight first Viceroys, and of the later native chiefs in Spanish dress. Next a long series of pictures of cities in Peru, nearly all imaginary, and lists of post-houses, or tambos, on the various roads. But by far the most remarkable feature of this chronicle is an open and fearless attack on the cruel tyranny of the Spanish rule. The combined writer and artist spares neither priest nor corregidor. We see people being flogged, beaten with clubs, and hung up by the heels. There is a woman stripped naked and flogged because her tribute was two eggs short, shameful treatment of girls is depicted, inhuman flogging of children, forced marriages, and priests gambling with corregidors.
The author travelled all over Peru in some capacity, interceding for, and trying to protect, the unfortunate people. He was writing during thirty years, from 1583 to 1613. He concludes with
