Page:The Life of William Morris.djvu/145

But Faulkner, now Fellow and Mathematical Tutor of University, came pretty regularly in the afternoons to help. "Charley comes out tremendously strong on the roof with all kinds of quaint beasts and birds," Burne-Jones wrote home in October. After term began, Price and others were impressed to assist as they came up. "I worked with him," Canon Dixon tells me, "on his picture of the famous sunflowers for several days, and was pleased to hear him say that it was improved." The day's work began at eight o'clock and went on as long as daylight lasted. "If we needed models," Sir Edward Burne-Jones writes, "we sat to each other, and Morris had a head always fit for Lancelot or Tristram. For the purposes of our drawing we often needed armour, and of a date and design so remote that no examples existed for our use. Therefore Morris, whose knowledge of all these things seemed to have been born in him, and who never at any time needed books of reference for anything, set to work to make designs for an ancient kind of helmet called a basinet, and for a great surcoat of ringed mail with a hood of mail and the skirt coming below the knees. These were made for him by a stout little smith who had a forge near the Castle. Morris's visits to the forge were daily, but what scenes happened there we shall never know; the encounters between these two workmen were always stubborn and angry as far as I could see. One afternoon when I was working high up at my picture, I heard a strange bellowing in the building, and turning round to find the cause, saw an unwonted sight. The basinet was being tried on, but the visor, for some reason, would not lift, and I saw Morris embedded in iron, dancing with rage and roaring inside. The mail coat came in due time, and was so satisfactory to its designer