that the first day it came he chose to dine in it. It became him well; he looked very splendid. When it lay in coils on the ground, one could lift it with great difficulty, but once put on the body its weight was so evenly ordered that it was less uncomfortable than any top coat I ever wore. I have the basinet still, and the sword that was made by the same smith."
The decoration of the roof was finished early in November. But Morris did not leave Oxford, and for the next year or more lived chiefly there, in the rooms at 17, George Street, which the painters had taken when they had to turn out of their lodgings in High Street at the beginning of the autumn term. Burne-Jones, when he had finished his picture of "The Death of Merlin," returned to Red Lion Square, where he lived practically alone till spring, though his visits to Oxford and Morris's to London were almost weekly.
The decoration of the Union involves so many famous names, and is in itself of such interest as one of the earliest attempts of the sort made in modern times, that a brief digression may be pardonable to set down the rest of the story. From the first, there was a feeling among many members of the Union that the scheme had been rushed on them by Rossetti and Woodward. The latter, "the stillest creature that ever breathed out of an oyster shell," as Rossetti called him, had apparently been talked over by Rossetti into allowing the work to be begun without obtaining proper sanction. The question was raised at a debate on the 26th of October, 1857, when the Treasurer, Charles Bowen of Balliol (afterwards Lord Bowen) admitted that an irregularity had been committed, and the subject was allowed to drop. A week later, however, a motion was carried unanimously "thanking the
